{"id":1200,"date":"2012-07-16T21:39:30","date_gmt":"2012-07-16T21:39:30","guid":{"rendered":"https:\/\/www.guitartheoryrevolution.info\/blog\/?p=1200"},"modified":"2014-09-27T20:28:05","modified_gmt":"2014-09-27T20:28:05","slug":"extended-pentatonic-scale-patterns","status":"publish","type":"post","link":"https:\/\/guitartheoryrevolution.info\/blog\/extended-pentatonic-scale-patterns\/","title":{"rendered":"Lesson 14: Extended Pentatonic Scale Patterns"},"content":{"rendered":"<p><a href=\"https:\/\/guitartheoryrevolution.info\/blog\/wp-content\/uploads\/2014\/09\/joebonamassa.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/guitartheoryrevolution.info\/blog\/wp-content\/uploads\/2014\/09\/joebonamassa-150x150.jpg\" alt=\"Joe Bonamassa\" width=\"150\" height=\"150\" class=\"alignright size-thumbnail wp-image-1796\" \/><\/a><br \/>\n<i>Remember you can zoom in and out on the images in this post by pressing Ctrl + and &#8211;<\/i><\/p>\n<p>A complaint many guitar players have about their improvisational skills is that they often feel like they are trapped in the dreaded &#8216;box&#8217;. This means that they find themselves using the same scale patterns over and over again, finding it hard to play across the whole fret-board.<\/p>\n<p>The reasons for this is simple, if you only practice one kind of pattern then you&#8217;ll never know other ways in which to play. That&#8217;s why it&#8217;s important to practice scales in as many different ways as possible. This will give you the freedom to move all over the fret-board.<\/p>\n<p>Below you&#8217;ll find two halves of an extended pentatonic scale pattern in the key of A Minor. To play these in a different key, just shift the patterns along the fretboard as usual. I encourage you to seek out different patterns to practice and even to make up your own.<\/p>\n<p><img decoding=\"async\" title=\"Extended Pentatonic Scale Pattern 1\" src=\"https:\/\/guitartheoryrevolution.info\/blog\/wp-content\/uploads\/2012\/07\/ext-pent1.gif\" alt=\"Extended Pentatonic Scale Pattern 1\" width=\"600\" \/><\/p>\n<p><img decoding=\"async\" title=\"Extended Pentatonic Scale Pattern 2\" src=\"https:\/\/guitartheoryrevolution.info\/blog\/wp-content\/uploads\/2012\/07\/ext-pent2.gif\" alt=\"Extended Pentatonic Scale Pattern 2\" width=\"600\" \/><\/p>\n<div class=\"AW-Form-632011282\"><\/div>\n<p><script type=\"text\/javascript\">\/\/ <![CDATA[\n(function(d, s, id) {\n    var js, fjs = d.getElementsByTagName(s)[0];\n    if (d.getElementById(id)) return;\n    js = d.createElement(s); js.id = id;\n    js.src = \"https:\/\/forms.aweber.com\/form\/82\/632011282.js\";\n    fjs.parentNode.insertBefore(js, fjs);\n    }(document, \"script\", \"aweber-wjs-235zovvj0\"));\n\/\/ ]]><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Remember you can zoom in and out on the images in this post by pressing Ctrl + and &#8211; A complaint many guitar players have about their improvisational skills is that they often feel like they are trapped in the dreaded &#8216;box&#8217;. This means that they find themselves using the same scale patterns over and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,13],"tags":[343,344,345],"class_list":["post-1200","post","type-post","status-publish","format-standard","hentry","category-improvisation","category-intermediate-lessons","tag-pentatonic","tag-pentatonic-patterns","tag-pentatonic-scale"],"_links":{"self":[{"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/posts\/1200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/comments?post=1200"}],"version-history":[{"count":0,"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/posts\/1200\/revisions"}],"wp:attachment":[{"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/media?parent=1200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/categories?post=1200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitartheoryrevolution.info\/blog\/wp-json\/wp\/v2\/tags?post=1200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}